Addressees of Horace's Odes: Difference between revisions
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☞ [https://en.wikipedia.org/wiki/Fortuna Fortuna]: 1.35 (“''diva, gratum quae regis Antium''”).
☞ [https://en.wikipedia.org/wiki/Jupiter_(mythology) Jupiter]: 1.12 (“''orte Saturno''”).
☞ [https://en.wikipedia.org/wiki/Leto Latona]: 1.21 (“''Latonamque''”).
☞ [https://en.wikipedia.org/wiki/Melpomene Melpomene]: 1.24, 3.30, 4.3 (“''Melpomene''”).
☞ [https://en.wikipedia.org/wiki/Mercury_(mythology) Mercury]: 1.2 (“''filius Maiae''”), 1.10, 3.11 (“''Mercuri''”).
☞ [https://en.wikipedia.org/wiki/Muses Muse]: 1.26 (“''quae fontibus integris gaudes''”, “''Piplei dulcis''”).<ref>Pipla is “''a bizarre spelling of Pimplea''’” (David R. Slavitt, ''Horace: Odes'', University of Wisconsin Press, Madison and London, 2014, p. 40). Pimplea or Pimpleia (Πίμπλεια in Greek) was a place sacred to the Muses in Pieria, Greece.</ref>
☞ [https://en.wikipedia.org/wiki/Venus_(mythology) Venus]: 1.30, 4.1 (“''Venus''”), 3.26 (“''quae beatam diva tenes Cyprum et Memphin carentem Sithonia nive, regina''”).
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☞ Roma: 4.4 (“''Roma''”).
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☞ Gaius Cilnius Maecenas: 1.1, 1.20, 2.12, 2.17, 2.20, 3.8, 3.16, 3.29 (“''Maecenas''”).
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☞ Septimius: 2.6 (“''Septimi''”).
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☞ Archytas: 1.28 (“''Archyta''”).
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☞ Iccius: 1.29 (“''Icci''”).
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☞ Albius Tibullus: 1.33 (“''Albi''”).
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☞ Gaius Antonius Iullus: 4.2 (“''Iulle''”).
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☞ Augustus: 1.2, 4.15 (“''Caesar''”), 4.5 (“''Divis orte bonis, optume Romulae custos gentis''”, “''duxe bone''”),<ref>The word “''Caesar''” exists in this ode, but Augustus is addressed here only through the use of honorific vocatives.</ref> 4.14 (“''Auguste''”).
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☞ Quintus Dellius: 2.3 (“''Delli''”).
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This section mostly (but not always) lists the poet’s love interests: “''Horace introduces so many different names [...], and refrains so consistently from decisively casting his erotic lot with any of these, that readers must either marvel at the variegation of his love life or recognize that Horatian lyric is not invested in the development of a coherent erotic ‘plot’''” (Ellen Oliensis, ''Loving Writing / Ovid’s Amores'', Cambridge University Press, Cambridge, 2019, p. 109).
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☞ Xanthias the Phocean: 2.4 (“''Xanthia Phoceu''”).
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☞ 1.16 (“''matre pulcra filia pulchrior''”).
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☞ 3.24.<ref>The ode is addressed to a “''diatribic ‘you’''” (Citroni, ''op. cit.'', p. 74).</ref>
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☞ 1.21 (“''tenerae [...] virgines''”, “''pueri''”, “''mares''”).
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☞ 3.14 (“''plebs''”, “''pueri et puellae''”).
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☞ Bandusia’s fount: 3.13 (“''fons Bandusiae''”).
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☞ Wine-jar: 3.21 (“''testa''”).
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☞ 1.15, 2.15, 3.2, 3.3, 3.5
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